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So Hot Right Now, February 2013 (by Claire)

My hair icon for February, Cyndi Lauper

Here’s the truth: So Hot Right Now posts are always hard for me to write. I play those 15 songs obsessively, plucking many of them out of thin air and promptly devouring them over the course of the last week of the month. That’s supposed to quell my wandering attention span, that batch of new songs. I line them up and play them on repeat, I pledge my endless listening devotion to them, for the next month at least. I slide one in next to the other, drag it down, rearrange tracks 7 and 15, then 12 and 3, then think about transitions. What sounds delicious? What bridge between two songs is so luscious and unexpected that it has to be honored? A few months ago Joshua slipped “Flowers in Your Hair” by The Lumineers right behind “Summer Breeze” by the Isley Brothers and that movement from one song to the next plucked an emotional chord. It sounded like the first buttery sunshine filled day of summer or the rosy cheeked heat of a new crush. It was perfect. It was the ideal transition. I wanted every transition on my lists to sound as good.

I am obsessive. There are all kinds of corners and knick knacks in my apartment that get fondly pinged by my passing fingertips several times a day. I often listen to a song more than ten times in a row. And that obsessiveness is sometimes fun, but when it comes to making mixes, it’s easy for it to get exhausting. One of my favorite songs last year was “Closer” by Tegan and Sarah. It’s almost unbearable to listen to now because I listened to it so many times. At this point it sounds like construction or a loud clock—that low level jarring kind of noise that pinches your nerves. I wear out so many great songs, I have to shelve them and come back to them months later, if ever (Seriously, after waiting for the new Tegan and Sara album for months, it’s disappointing to have to skip the excellent kick off that is “Closer” every time I listen to it). So Hot Right Now mixes are lists of songs I’ve worn down to the bone. I post them here, and I run as far away from them as I can.

The past week of this brand new month has been full of big emotions, good and bad. I kept meaning to post my original list, but it seemed like it expired on February 1st. I didn’t want to hear all the stuff I’d listened to last month. I wanted the comfort of songs that I loved, songs I could never get tired of. I wanted Tom Petty and Etta James and Liz Phair. I wanted slightly less familiar songs from albums I play often, songs like “Where I’m Waking” by Slow Club and “Again Today” by The Feelies.  I wanted the relief of new songs that I’m still charmed with, like “Young Adult Friction” by The Pains of Being Pure at Heart and “Golden Haze” by Wild Nothing. I didn’t want to sort them out because they sounded so perfect and right just where they were, all in a row, where I wanted them to be when I needed to find them.

In case you were curious, and because it was a very good mix, that mix I made and couldn’t listen to for another second, here’s my original So Hot Right Now for February. I hope you enjoy them both—let me know what you’re listening to this month in the comments.

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What I Listened to in 2012: Part 2 (by Claire)

 

World Party: A new favorite

Musical tastes change as the weather gets warmer. I seem to go back East every summer now for a wedding, so I get a seasonal split: a few weeks of pure steamy Baltimore summer, and a few months of blustery summer time San Francisco fog. When I lived on the East Coast, my summer soundtracks stayed uniformly poppy and light. Now they waiver between upbeat dance-worthy fare, and slightly darker songs.

This is page two from my musical scrapbook this year: the main song I was obsessed with each month, and one honorary mention for the season. For the full lists for each month, click the months/song titles below.


May: “Emmylou” by First Aid Kit

How did two girls from Sweden create the country-tinged folk song of the year? If Stockholm’s weather didn’t come up in the first verse, I would’ve pinned this gem’s geography elsewhere based solely on the sweet Americana feel, so clearly influenced by American folk music. Johanna and Klara Soderberg’s lovely, honeyed voices intertwine on a chorus that’s a music lover’s dream “I’ll be your Emmylou/I’ll be your June/I’ll be your Graham and your Johnny too.” I love songs that directly reference other music and musicians—it’s usually such a friendly hat tip, and a nice reminder that the people who make the music you love are music lovers themselves.

It’s also a deeply moving love song—wistful, full of straight forward declarations of love and regret. They admit to past mistakes and hope for a future where the lovers can reunite, and, even better, sing together. It sounds like something Emmylou Harris or June Carter Cash would sing, if they weren’t the focus of the chorus (Oh how I would love to hear Emmylou Harris cover this song. So, so much).

*Featured in “Songs Named After Girls”


June: “Second Hand News” by Fleetwood Mac

Rumours stalked me last summer when I came back to the East Coast. Everywhere I went—every beach town movie theatre, every local Baltimore bar, every gas station on the way to Philly,  Rumours was playing. It was even firmly lodged in the CD player in my sister’s car, and we listened to it as we criss-crossed the city. It’s a great album at any time of year, but there’s something particularly thrilling about rolling down the windows and playing this on a balmy Baltimore summer evening, when the heat is thick and everything smells like honey suckles and car exhaust. I’d listened to enough bits and pieces of this album over the years that I knew almost all of it, except for “Secondhand News.” What a treat to find something new tucked away in an old favorite. It’s such a great song too, and really encapsulates that “blasting Fleetwood Mac in the summer” feeling—I love the line “Won’t you lay me down in the tall grass/and let me do my stuff.”

 

July: “A Minor Incident” by Badly Drawn Boy

Every time I hear “Reconsider Me” by Warren Zevon, I burst into tears. I tell people this and no one gets it. My sister played me a song by some local band a month ago, where the floppy haired singer asked a girl to come back to him. It was terrible, but overwhelmingly sincere, and at one point I covered my ears and winced, saying “Ahhh! Too earnest!”

Lugubrious songs full of weepy stories? Sure, those get to me. But thin skinned, wide eyed earnestness? That destroys me. “A Minor Incident” is a suicide letter from a mother to her preteen son, based on events in the book About a Boy. It’s sad and sweet and straightforward, and the guitar bits and wheezy harmonica sound like early Bob Dylan (but it’s not Dylan, a plus for all you Dylan haters). The plain spoken honesty is heartbreaking—the first lines are “There’s nothing I could say to make you try to feel okay/ And nothing you could do to stop me feeling the way I do.” Ugh. But the truth is I like songs that spur crying jags—I think they’re cathartic and really satisfying. Sitting around crying on purpose to songs that I like is my version of a bubble bath.

August: “Put the Message in the Box” by World Party

Do you ever hear the first few bars of something, sit back, release a voluminous sigh you didn’t know was stuck in your chest and feel like all is right in the world? That’s how I felt when I first heard “Put the Message in the Box” in August. It’s such a treat when a few notes of something spur an overwhelming feeling of wellbeing. World Party woke up my imagination, and made it colorful and happy as I walked around daydreaming and listening to this on repeat. I don’t know how it took this long for me to come across this band, but I’m thrilled that I did because they quickly became one of my favorites.

Honorary Mention: “Our Most Brilliant Friends” by Slow Club

Lets just admit that Yeah, So is a truly perfect album. If these posts were focused on “Top 12 Not Necessarily Current Albums of 2012,” Yeah, So would be at the top of the list. The first four minutes of “Our Most Brilliant Friends” are like a kick in the adrenal glands. It’s exciting and playful, it makes me want to run outside and find some tiny late night hub bursting with sweaty dancing masses. I would wear my hair wild and curly and some slip of a dress, and jump up and down at the “Your body looks GOOD tonight” part.  Then it segues into this beautiful breakup song with lovely insightful lyrics, with just Rebecca Taylor’s voice and guitar. Dancing and jumping, followed by something wistful and pretty? This is the musical equivalent of the total package for me.

Click here for What I Listened to in 2012: Part 1 by Claire

 

 

 

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So Hot Right Now: May 2012

Claire’s List:

“Bernadette,” by The Four Tops

“Daylight” by Matt and Kim

“Electric Feel,” by MGMT

“Go Outside,” by Cults

“The Only Place,” by Best Coast

“I Found You,” by The Alabama Shakes

“I Think I Like You,” by Donora

“Big Bank Hank,” by Blue Scholars

“Our Most Brilliant Friends,” by Slow Club

“Glad Girls,” by Guided by Voices

“Emmylou,” by First Aid Kit

“Lets Straighten It Out,” by O.V. Wright

“The Man in Me,” by Bob Dylan

“Sweet Jane,” by The Velvet Underground

“Dear Prudence,” cover by Siouxsie and the Banshees

Joshua’s List:

“Joyful Noise” by Derek Trucks Band

“The Next Movement” by The Roots

“The Thrill is Gone” by B.B. King with Tracy Chapman

“When I Fall” by Barenaked Ladies

“We Used to Wait” by Arcade Fire

“The Night They Drove Old Dixie Down” by The Band

“Bowie” by Flight of the Conchords

“If I Had $1,000,000″ by Barenaked Ladies

“Soul to Squeeze” by Red Hot Chili Peppers

“Sarah and Yukel” by Ruth Gerson

“You Don’t Miss Your Water (‘Til Your Well Runs Dry)” by Taj Mahal

“You’ve Got the Love” by Florence & the Machine

“Life During Wartime” by Talking Heads

“Up On Avalon” by Laughing Colors

“Broom People” by The Mountain Goats

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Song of the Day: April 24, 2012

Claire’s Song of the Day: “Our Most Brilliant Friends,” by Slow Club

Joshua’s Song of the Day: “Neighborhood #3 (Power Out),” by Arcade Fire

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