Monthly Archives: February 2013

Top 5 Songs I Didn’t Know Were Covers (by Claire)

Betrayed by the Imbruglia!

 Ahh covers month—it has been a sprawling, really generous definition of a month here at Charm City Jukebox, and I swear for all you covers-haters out there (do you exist? I would find that totally fascinating—leave a comment), we’re almost done.

As covers month comes to a close, it’s time to talk about cover song ignorance. Know thy covers, friends—know who sang the original, so you can win all the trivia nights and avoid being the butt of jokes from your music snob buddies (not us, of course).

Embarrassed at your original vs. cover song knowledge gaps? I’ll get you started. Here are the top five songs that I didn’t know were covers. Leave yours in the comments!

“One More Cup of Coffee” cover by The White Stripes, originally by Bob Dylan

Everyone has a serious “how did I not know this was a cover?” song (I think the top two most common “How did I not know this was a cover?” songs are “I Will Always Love You” and “Son of a Preacher Man.”) While I just feel surprised by the other songs on this list, “One More Cup of Coffee” makes me blush.  Bob Dylan and Jack White have many things in common, but one that sticks out is how often listeners who don’t like them point to their unconventional voices as the reason why. Jack White’s voice is perfect here—this is a great example of why and how his voice works. Bob Dylan’s voice…well, even as a Dylan fan, this is one of those songs where I really understand the dislike.

“Strange Little Girl” by Tori Amos, originally by The Stranglers

Sure, Amos purists, this should be obvious since it’s plucked off of an album of covers.  But Amos covers “Strange Little Girl” with such authority and ownership that it seems impossible that it could be by another artist. It’s a natural fit, and her delivery of this song by The Stranglers sets the tone and creates the title for the rest of the album.

Sidenote: If you love covers (we do, have you noticed?), check out the entire Strange Little Girls album, which has some solid, sometimes strange tracks,  and will make you wonder why we didn’t make a bigger deal about the original “Kim,” Eminem’s ode to uxoricide and domestic violence.

“I Love Rock ‘N’ Roll” by Joan Jett, originally by Alan Merrill

Speaking of authority and ownership, how often do you think people compliment Alan Merrill on his Joan Jett cover when he performs this? Every version since Joan Jett has been a cover of Joan Jett, not Alan Merrill; we all know it. It doesn’t matter how loyal Jett’s version was to the original; this is her song. I can’t find the quote, but I swear I once read that Dusty Springfield ended up preferring Aretha Franklin’s more popular version of “Son of a Preacher Man” than her own. I wonder if Merrill feels the same way.

“Tainted Love” by Soft Cell, originally by Gloria Jones

I’ve definitely heard the Gloria Jones version before, but for some reason always thought it was a Soft Cell original. I prefer the original, not just because it’s a great recording, but because “Tainted Love” may belong on our long ago “Top 5 Songs Classic Rock Radio Has Ruined” lists. A great song, for sure, but it’s predecessor sounds fresher, less exhausted by years whirling around on car radios and in grocery stores.

“Torn” by Natalie Imbruglia, originally by Ednaswap

I think I bought Natalie Imbruglia’s album in middle school based on my unrequited love for this song, which haunted every kind of radio station for about two years straight. The fact that this is actually a cover deserves a sitcom style “Whaaaa?!” sound effect. (Found one!)

Imbruglia’s version is a pretty straightforward cover, except for some obvious pop glossiness.  Is it weird that I feel a little betrayed? What other classic 90′s hits are undercover covers? Other than “Return of the Mack,” which everyone knows is by Patsy Cline.

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Claire’s Song of the Day

“Two Thieves” by Compulsive Gamblers

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Joshua’s Song of the Day

“Lost in My Mind” by The Head And The Heart

Claire’s Song of the Day

“Time to Move On” by Tom Petty

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Claire’s Song of the Day

“Young Adult Friction” by The Pains of Being Pure at Heart

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So Hot Right Now, February 2013 (by Claire)

My hair icon for February, Cyndi Lauper

Here’s the truth: So Hot Right Now posts are always hard for me to write. I play those 15 songs obsessively, plucking many of them out of thin air and promptly devouring them over the course of the last week of the month. That’s supposed to quell my wandering attention span, that batch of new songs. I line them up and play them on repeat, I pledge my endless listening devotion to them, for the next month at least. I slide one in next to the other, drag it down, rearrange tracks 7 and 15, then 12 and 3, then think about transitions. What sounds delicious? What bridge between two songs is so luscious and unexpected that it has to be honored? A few months ago Joshua slipped “Flowers in Your Hair” by The Lumineers right behind “Summer Breeze” by the Isley Brothers and that movement from one song to the next plucked an emotional chord. It sounded like the first buttery sunshine filled day of summer or the rosy cheeked heat of a new crush. It was perfect. It was the ideal transition. I wanted every transition on my lists to sound as good.

I am obsessive. There are all kinds of corners and knick knacks in my apartment that get fondly pinged by my passing fingertips several times a day. I often listen to a song more than ten times in a row. And that obsessiveness is sometimes fun, but when it comes to making mixes, it’s easy for it to get exhausting. One of my favorite songs last year was “Closer” by Tegan and Sarah. It’s almost unbearable to listen to now because I listened to it so many times. At this point it sounds like construction or a loud clock—that low level jarring kind of noise that pinches your nerves. I wear out so many great songs, I have to shelve them and come back to them months later, if ever (Seriously, after waiting for the new Tegan and Sara album for months, it’s disappointing to have to skip the excellent kick off that is “Closer” every time I listen to it). So Hot Right Now mixes are lists of songs I’ve worn down to the bone. I post them here, and I run as far away from them as I can.

The past week of this brand new month has been full of big emotions, good and bad. I kept meaning to post my original list, but it seemed like it expired on February 1st. I didn’t want to hear all the stuff I’d listened to last month. I wanted the comfort of songs that I loved, songs I could never get tired of. I wanted Tom Petty and Etta James and Liz Phair. I wanted slightly less familiar songs from albums I play often, songs like “Where I’m Waking” by Slow Club and “Again Today” by The Feelies.  I wanted the relief of new songs that I’m still charmed with, like “Young Adult Friction” by The Pains of Being Pure at Heart and “Golden Haze” by Wild Nothing. I didn’t want to sort them out because they sounded so perfect and right just where they were, all in a row, where I wanted them to be when I needed to find them.

In case you were curious, and because it was a very good mix, that mix I made and couldn’t listen to for another second, here’s my original So Hot Right Now for February. I hope you enjoy them both—let me know what you’re listening to this month in the comments.

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Joshua’s Song of the Day

“Let It Be Me” by Sam and Dave

Claire’s Song of the Day

“Shatter” by Liz Phair

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Top 5 “WTF?” Covers (by Claire)

It is really bizarre to be in the opposing team’s town—why is no one celebrating? Where’s all the purple? Why are you glaring at me? Should I not have shown up to this Super Bowl party dressed up as a tin of Old Bay? So many questions.

Though it was weird to temporarily be in enemy territory, it was nowhere near as weird as these covers. You’ll laugh, you’ll cry, you’ll tell Tom Jones he’s grounded. Get excited, and please share your “WTF?” covers in the comments—tracking down these songs was way too fun, and I need lots and lots more.

(Oh, and if the intro didn’t spell it out enough, RAVENS! YAY! Come on SF readers. You know the title of this blog.)

“Shock the Monkey” covered by Don Ho

Don Ho’s cover of “Shock the Monkey” is from an album dedicated to “WTF?” covers called When Pigs Fly: Songs You Never Thought You’d Hear, featuring notable tracks like a duet of that old standard “Unforgettable” done by Ani Difranco and Jackie Chan (yes, that Jackie Chan), and a legitimately unforgettable cover of  “Ohio” by Devo.

This Don Ho cover of “Shock the Monkey” is pretty straight forward, but stringing all those words together in a sentence is enough to warrant a hearty “…huh?”


“Burning Down the House” by Tom Jones and The Cardigans

This cover brings out the latent preschool teacher in me. “No!” I want to say as a slightly shamefaced Tom Jones looks up from his microphone. “No Tom Jones! Leave the Talking Heads alone! And Cardigans, you should know better!” I’d say as I unplugged their amp and sent them to the timeout corner. “We’re sorry…we won’t try to cover songs anymore Ms. Claire,” they’d say, staring at their feet as they toed the carpet. “Alright kids. Go think about what you did. And don’t let me catch you watching Stop Making Sense.” (In this preschool fantasy, a Muppet-babies-style David Byrne is sitting at the snack table, smugly eating a graham cracker and writing the lyrics to “This Must Be The Place” on construction paper.)


“Don’t Think Twice, It’s Alright” cover by Ke$ha

So weird. Not necessarily bad weird, just weird…weird. Ke$ha clearly gets the song and really hones in on the especially stinging, deeply sad parts. Her version is raspy and a capella, delivered like she just came off of a significant crying jag, complete with those slurping, breathless gasps that come after genuine tears. All of the humor and sarcasm of the original is lost, but it’s a solid interpretation that feels fairly true to the original while sounding very different.

I hated this the first time I heard it, but only because I wanted to hate it—it’s one of my favorite Dylan songs and the combination seemed so ridiculous, and Ke$ha isn’t one of those pop stars who I think is brimming with undercover talent (of which I have many, as you may know from reading this blog). But maybe I was wrong? I think this cover is pretty strong, even though I wouldn’t have bet on it. (This album also has a cover of “You’re Going to Make Me Lonesome” by Miley Cyrus that’s really lovely. I don’t know what’s happening to me. I’m having a Dylan cover induced existential crisis.)


“Sittin’ On the Dock of the Bay” cover by Sergio Mendes and Brasil 66

Sergio Mendes & Brasil 66 covers are the jam—-imagine that all classic songs were composed instead in an alternate universe populated by Muppets, drinking rum under a cartoon sky full of heart shaped clouds and a sun wearing sunglasses. Otis Redding’s mournful classic now sounds more fitting for a cheerful dance party on a beach. The sunny delivery of “…cause I had nothing to live for/Nothing gonna go my way” is my favorite part.


“Cream” cover by Rockabye Baby!

As an adult person who routinely comes across fairly grownup songs from the late 80s and thinks “Why does this make me want to dance around with a teddy bear?,” I can’t even tell you how weird it’s going to be when your kid hears the real version of “Cream” for the first time. The lyrics! The meaning! The Prince induced narcolepsy! I love this so much. I may never stop laughing.

Non-parents-of-small-children, there’s a whole album of lullaby versions of Prince songs! Parents of small children, I’m sure you already know about this and all of the Rockabye! albums. I hope we’re on the same page that “I Would Die 4 U” is the best track here, and that the lack of “Gett Off” is a lullaby travesty.

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Charm City’s Song Of The Day

dm_130204_sc_highlight_Ravens_49ers

“Seven Nation Army” by The White Stripes

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